
1. The Input Section
The DTC™ has a comprehensive input section
consisting of a line-level input, an instrument
input and a microphone input. You can add
a digital input by installing the MindPrint
DI-Mod 24/96 expansion module.
1.1 Microphone input
Connections:
An XLR jack is provided on the back of the DTC™
for each channel for microphones of all types.
To accommodate condenser microphones,
48-volt phantom power can be applied from
a switch on the front panel.
Impedance is 5 kOhms.
Operation:
MIC IN: switches on the microphone input. This
switch has priority over all other input switches.
MIC GAIN: adjusts the input sensitivity of the
microphone signal within a range of +20 dB to
+72 dB.
-20 db: switches a passive pad of -20 dB before
the microphone channel preamp stage to avoid
distortion from high-output microphones.
48 V: applies phantom power to the channel.
Warning: DO NOT turn on the 48V
phantom power with unbalanced
microphones or ribbon mics,
as these can be damaged by
the phantom power!
4
MindPrint-DTC
TM
High-Zensitivity™ Transformer
The complex interplay of impedance, capacitance
and induction in the input transformer is responsible
for the optimal matching of the microphone's
diaphragm to its electronics, and aids considerably in
enabling the microphone to reproduce sound in a
natural manner. MindPrint has researched these
phenomena and collaborated with the company
Hauffe to develop a new transformer.
This sophisticated transformer possesses the
advantageous sound characteristics known from older
models, but avoids their common side effects, such as
phase distortion in the treble region. It can do so
because it has such an extremely broad frequency
range (up to 127 kHz) that the phase distortion
occurs out of the range of human hearing.
Furthermore, because it has a turns ratio of 1:5 the
transformer makes life easier for the subsequent
amplifier stage, thereby reduces distortion and
makes it possible to achieve an extremely good
signal-to-noise ratio.
Inner workings of the
High-Zensitivity™ Transformer
QUESTION: At 5 kOhms, the impedance of the
microphone input is considerably higher than
normal. Why does MindPrint deviate so greatly
from the 600-Ohm standard?
ANSWER: The impedance of microphones is not a
constant but is frequency dependent. Within the
frequency range of microphones there exist certain
impedance peaks which can far exceed 1000 Ohms.
If the input impedance of a microphone preamp is
less, these peaks are damped, which in effect
automatically changes the frequency response. Since
these peaks occur especially in the treble region, the
automatic damping of low-impedance preamps leads
to a loss of brilliance. The DTC™, due to its high-
impedance design, can handle even extreme peaks
and thereby avoids losses in the highs. This especially
makes dynamic microphones sound more transparent
and natural. Condenser microphones also sound
better, since their amplifiers, which are not loaded
down as much, can operate with less distortion.
MIC IN A
BALANCED
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